How To Draw A Head In 3/4 View

The Bones Forms

To describe the caput from any bending you must outset understand its basic structure. Look past all the distracting details and visualize the underlying forms. This ability to simplify can exist applied to the features of the face, just when starting the drawing you could expect even farther. Ignore even the features and simplify to the about basic grade of the head. I utilize a method taught by Andrew Loomis in his volume, "Cartoon the Caput & Hands".

The head deconstructed into its basic forms, is a sphere as the cranium and a block as the jaw and cheek bones.

A Sphere as the Cranium

The sides of the head are flat, so nosotros can slice off a piece from both sides of the ball. From profile, this plane volition be a perfect circle, but when drawing it from any other angle, information technology will announced to be an oval because of perspective. Divide this oval into quadrants. The vertical line represents the commencement of the jaw. The horizontal line represents the brow line. The top and bottom of the oval help you observe the pilus line and the lesser of the nose.

A Cake as the Jaw and Cheek Bones

Adhere the shape of the jaw. The top will start at the brow line and the dorsum will start at the center of the oval. This is a 3-D volume with a front end plane, side planes, and bottom plane (bottom plane is seen from some angles).

Constructing From Any Angle

Step ane – Determine the bending of the brawl

The angle of the head is established at the very beginning of the cartoon with the brawl. All three axes must be addressed:

Ten Axis - The up and down tilt is established by the angles of the horizontal and vertical lines in the oval. Besides, on extreme up tilts and down tilts, the thirds volition exist foreshortened because of perspective.

Y Axis - The direction the head is turning (left or right) is established by the width of the oval. As the head turns towards you, y'all tin can see more of the front of the face and less of the side, and then the oval representing the side will become narrower. Similarly, when the head turns away from you, more than of the side plane is revealed and the oval will appear wider.

Z Centrality - The twist is established by the angle of the center line, the angle of the oval and the placement of the oval on the ball.

Step 2 – Find the thirds

After establishing the bending of the brawl, divide the face up into thirds. The distance between the hairline and brow-line should be the same as the distance between the forehead-line and bottom of the nose. Add that aforementioned distance to find the chin. Notice how the  hairline and olfactory organ-line marshal with the top and bottom bottom of the oval when wrapped effectually the confront. Imagine the caput as a box. The thirds must be wrapped around the side plane and front airplane.

Step 3 – Add the jaw

A common mistake at this point is to make the jaw also long in comparison to the ball. Make certain to mensurate your thirds correctly and that they relate correctly to the brawl. Find how the shape of the jaw changes from diverse angles.

Stride 4 – Add the features

With this bones construction properly established, it becomes much easier to add the features in the right place. Check dorsum for more data almost specific features in a later post.

- How to Draw Eyes
- How to Depict the Nose
- How to Draw Lips
- How to Draw Ears

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Practice inventing the caput from all possible angles. Get a sketchbook and fill an unabridged folio with little heads. When drawing without reference photos, you speedily realize where your weaknesses are because y'all can't rely on copying. You can simply piece of work with what yous know.

UPDATE – 08-17-2012

Fabricated a video version of this tutorial. Subscribe to my YouTube aqueduct ProkoTV for more videos.

Source: http://www.stanprokopenko.com/blog/2009/05/draw-head-any-angle/

Posted by: coxduccies.blogspot.com

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